Jon b discography download12/29/2022 In 1982, Hassell additionally scored Magazzini Criminali's Venice production of Sulla Strada, earning an Ubu Award for Best Music for a Theatrical Work.įollowing 1983's Aka-Dabari-Java/Magic Realism (co-produced by Daniel Lanois), Hassell did not resurface on record until 1986's Power Spot. 2: Dream Theory in Malaya, was quickly forthcoming.) Through Eno, he also began working with a series of experimental pop acts, appearing on records by Talking Heads, David Sylvian, and Peter Gabriel. 1: Possible Musics, a collaboration with Brian Eno. The jazz-inspired Earthquake Island appeared a year later, and in 1980 Hassell issued Fourth World, Vol. After subsequent collaborations with minimalist pioneers La Monte Young and Terry Riley, Hassell mounted a number of solo pieces known collectively as the Landmusic Series the most famous of these so-called "sound monuments" was 1969's Solid State, an electronic project that evoked the gradual erosion of sand dune formations via a tuned mass of vibrations.īeginning in 1972, Hassell studied classical Indian music under the tutelage of Pandit Pran Nath, modifying Nath's vocal techniques to the trumpet to develop the Fourth World concept, which he introduced with 1978's Vernal Equinox. 2, coincided with the development of progressive ambient and world fusion musics, but also stood on their own.īorn March 22, 1937, in Memphis, Hassell attended Rochester, New York's Eastman School of Music and Washington, D.C.'s Catholic University before studying in Europe under the legendary Karlheinz Stockhausen. 2, City: Works of Fiction, Power Spot, and Maarifa Street: Magic Realism, Vol. 1, Dream Theory in Malaya, Fourth World, Vol. His albums, such as Earthquake Island, Fourth World: Possible Musics, Vol. Trumpeter, composer, and arranger Jon Hassell was the originator and unrivaled master of the musical aesthetic he dubbed "Fourth World Music" - in his own words, "a unified primitive/futuristic sound combining features of world ethnic styles with advanced electronic techniques." His seamless, edgeless, warm, and fluid meld of electronics, manipulated horn and sonic backdrops, and his relentless curiosity about global musical traditions, made him an icon among adventurous music fans.
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